Bibliography
Albert E. Elsen, ed., "Rodin Rediscovered", National Gallery of Art, exhibition catalogue (Washington, D.C., 1981), p. 332, cat. 254;
The Stanford Museum Centennial Handbook (Stanford, 1991), p. 84-5, repr.;
R. Butler, J.P. Plottel, J.M. Roos, "Rodin's Monument to Victor Hugo", exhibition catalogue, 1998, p. ?, fig. 17 (repr.);
Aida Audeh, “Rodin’s ‘Gates of Hell’ and Aubé’s ‘Monument to Dante’: Romantic Tribute to the Image of the Poet in Nineteenth-Century France,” Journal of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, I, 1998–1999, pp. 33–46, repr. pp. 33, 39;
Kimio Kawaguchi, "Rodin's 'The Gates of Hell': Seismic Isolation and Sculptural Conservation", The National Museum of Western Art, Tokyo, 2003, p. 20 (ill.);
Rosalyn Frankel Jamison, “Rodin, Victor Hugo, & The Gates of Hell,” Cantor Arts Center Journal, III, 2002–2003, pp. 99–111, repr. p. 93, 99–100, 102, 108;
Henry M. Sayre, "A World of Art", (Prentice Hall, Upper Saddle River, NJ, 2000), p. 177, no. 246 (repr.);
Robert B. Kruschwitz, "Heaven and Hell: Christian Reflection, A Series in Faith and Ethics", (The Center for Christian Ethics at Baylor University, Waco, TX, 2002), p. 50 (repr.);
Jean Galard, Julian Zugazagoitia et al, "L'oeuvre d'art totale", (Gallimard Editions, Musée du Louvre, Paris, France, 2003), p. 77, no. 16 (repr.);
Albert E. Elsen, “Rodin’s Art” (Oxford University Press, New York, 2003). No. 37, fig. 119 and 144, pg. 155-174, repr.;
Antoinette Le Normand-Romain, "The Bronzes of Rodin" (Éditions de la Réunion des Musées Nationaux, Paris, 2007). Vol. 2, pg. 606;
Michelle Facos, "Symbolist Art in Context", (University of California Press, Berkeley, CA, 2009), Fig. II;
Daniel Steel, “Rodin: The Cantor Foundation Gift to the North Carolina Museum of Art,” North Carolina Museum of Art, exhibition catalogue (North Carolina Museum of Art, Raleigh, 2010). fig. 8, pg. 4, repr., fig. 14, pg. 20, repr., fig. 4B, pg. 25, repr.;
Ted Wells, “Casting Shadows: Auguste Rodin,” Monterey Museum of Art, exhibition catalogue (Guardian Stewardship Editions, 2012). page 22 and 70, repr.;
Susan Jaques, “A Love for the Beautiful: Discovering America's Hidden Art Museums” (Globe Pequot Press, Guilford, Connecticut, 2012). page 221, repr.;
Bernard Barryte and Roberta K. Tarbell, eds., "Rodin and America: Influence and Adaptation, 1876-1936", Cantor Arts Center, exhibition catalogue (Silvana Editoriale, Milan, 2011). fig. 8, pg. 20, pg. 28, repr.;
Natsha Ruiz-Gomez, "A Hysterical Reading of Rodin's Gates of Hell" in "Art History" (Association of Art Historians, November 2013). Fig. 1, pg. 996, repr.;
Scott Bukatman, "Hellboy's World: Comics and Monsters on the Margins" (University of California Press, Oakland, 2016). Fig. 60, pg. 178, repr.;
Patrick R. Crowley, "Staging 'The Gates of Hell'" in "Rodin in the United States: Confronting the Modern" (Yale University Press, New Haven, 2022). Fig. 8.1, pg. 220 repr.;
Laura de Margerie, “French Sculpture, An American Passion” (Institut national d’histoire de l’art, Paris; Snoeck Publishers, Ghent, 2023). Fig. 8, pg. 443 and 446-447. repr.
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